The Best iPhone and iPad Apps from Israel

by Brian Blum on October 3, 2011

in Israel,Mobile,Products

Whether you’re looking for something healthy to eat or trying to plot the best way home through rush-hour traffic, there’s an application for that on your iPhone or iPad. And if you look under the hood, you might just discover it’s made in Israel.

With its expertise in cellular technologies, a love affair with the cell phone, and a fast national adoption rate for the iPhone – despite the fact Israelis pay some of the highest prices in the world for the privilege – it’s not surprising that Israelis have plunged into development of iPhone applications.

ISRAEL21c combed through some of the best Israeli apps to come up with our top 10 blue-and-white list for the iPhone.

1. Fooducate

With a recent positive write-up in The New York Times, Fooducate is the latest darling of the Israeli iPhone app scene. And it’s healthy to boot. The concept is simple: before you buy a product at the grocery store, check out what’s really in it. If its bite is worse than its crunch, Fooducate will suggest an alternative that’s better for your body (if not for your pocketbook).

The app uses the iPhone’s built-in camera to scan a product’s bar code. Using its own proprietary algorithm, Fooducate counts up the nutrients and assigns a letter grade from A to D. The app is smart enough to spot cleverly disguised additives – did you know that “autolyzed plant protein” is just another way to say MSG?

Fooducate is primarily for products manufactured in the United States, and its database isn’t yet complete (the company encourages users to snap pictures of items they’d like to see covered and send them in).

2. FiddMe

FiddMe is also a food app, but it takes a very different approach than Fooducate. Rather than aiming to educate, FiddMe wants to turn eating into a worldwide social game – a kind of FourSquare for foodies.

FiddMe allows users to take pictures of great meals they’re eating (in real time) and post the snapshot and information about the restaurant to the cloud. Other FiddMe users can tap into the growing database of yummy recommendations. The service is integrated with other location-aware apps like FourSquare and Facebook. You can also post to Twitter or to the FiddMe website.

FiddMe is not competing directly with user-generated recommendation services like Yelp. Those focus on restaurants as a whole, while FiddMe drills down to the quality of the fettuccini. Not surprising from an app created by a bunch of self-described Israeli “foodies.”

3. Waze

Waze has tackled a problem we’ve all experienced – getting stuck in traffic and not knowing the best alternative routes – and crowd-sourced it. Users automatically add information about traffic tie-ups in real time – without having to do a thing. Waze tracks where drivers are via GPS. If there are more drivers than expected in a certain stretch of road, the Waze map will turn red.

So if Highway 101 is backed up coming into San José, Waze will instantly tell you if Interstate 280 is the better bet. That’s a whole lot faster than waiting for the radio to report the latest jams every 15 minutes. And it’s one of the reasons the service has proved incredibly popular, with more than two million drivers signed up.

The automated aspect to Waze is particularly welcome, since texting while driving is a big no-no. But users stopped at a red light can more proactively input traffic information. And to really keep things safe, Waze turns off the keyboard when the car is in motion – neat!

Waze has other features – such as allowing drivers to build maps together, create private groups to share tips, and even play interactive social games.

Waze is free, in keeping with its 2006 roots as an open-source project called FreeMaps. The service began in Israel but is available all over the world.

4. Viber

Within three days of Viber’s launch in December 2010, some one million people had downloaded it. Two months later, the number is up to an overwhelming 10 million. What’s all the fuss about? Viber, a free app, aims to be the Skype-killer, a voice-over-IP phone service that integrates seamlessly into your iPhone’s contact list and allows you to make free calls to other Viber users anywhere in the world.

The app is drop-dead simple: Install it, and any other Viber users in your contact list show a Viber icon. Since the Viber app runs in the background (and the company claims it doesn’t drain the phone’s battery like Skype does), calling that contact for free is a single tap away.

Viber also doesn’t require any registration (another step saved) and uses your phone number as your ID. Contrast that with Skype, where you have to sign up for a unique ID and use only the Skype app to make calls. Viber “officially” only supports the iPhone, but savvy callers claim it works on the iPad and iPod Touch as well. Android and BlackBerry versions are coming soon.

5. Fring

Fring is another made-in-Israel app that allows free phone calls. Unlike Viber, Fring piggybacks on existing phone networks like Google Talk, ICQ, Twitter, Facebook and more, acting as a universal communications center for voice, chat and even video calls. You open the Fring app and get a separate contact list; you can then call any friends on the list at no cost.

For friends not on the list, “Fring Out” calls start at one cent per minute (although that can jump to as high as 44 cents per minute for far-flung locations like Samoa and Zimbabwe).

Fring got a big boost when the iPhone 4 with its front-facing camera came out last year, making video calls a major attraction (the upcoming iPad 2 is rumored to have the same feature).

The app also has a “Fring Stream” that consolidates all your Twitter tweets and Facebook updates (plus, of course, any Fring chats and calls) in one place.

There’s one service that’s noticeably missing from the Fring roster: Skype. Fring used Skype’s network to enable video calls for several years until December 2010, when they parted ways. Fring claims Skype blocked its service; Skype says Fring had been misusing its software and decided to pull out on its own. Either way, Fring is slightly less useful than it was six months ago.

6. Babller

Babller is a simple iPhone app that was an obvious product to be developed in multilingual, multicultural Israel. The app allows you to post status updates to Facebook, Twitter and LinkedIn in your preferred language and have it automatically translated into a variety of other lingos. The app works the other way around, too, translating posts you receive.

Babller is essentially Google Translate with built-in social networking integration. It’s not likely to be around for long – as soon as Google does its own Facebook translation mash-up, Babller will be out of here.

7. My6Sense

Owning an iPhone can quickly result in serious information overload. With your email, social network updates, tweets and RSS feeds all coming at you a mile a minute, you may find yourself sifting through hundreds (if not thousands) of messages and articles every day.

My6Sense aims to reduce the clutter by learning what you’re interested in and filtering the stream so that’s what you see. Focusing primarily on updates via RSS, My6Sense “learns” what you like by monitoring which articles you choose and which links you forward. You may view your subscriptions by most recent posts or by My6Sense recommendations.

What’s particularly cool is you don’t have to do anything – no tapping buttons to give a thumbs up or down to a particular piece of content, for example. The company calls its service “digital intuition” and it seems to be on to something. My6Sense has received media accolades including a “Best of 2010″ award from ReadWriteWeb.

8. Libox

Consuming media on an iPhone or iPad is perhaps as popular as actually making a call. Despite its tiny screen, users love to watch video, show off pictures and, of course, listen to music. But how do you get your media content from your desktop computer or laptop onto your phone?

Apple’s answer is to synch via iTunes. But that requires plugging your mobile device into your computer. And you have to physically move files onto your phone, which means you can quickly bump up against your iPhone’s memory limit.

Israeli startup Libox lets you stream your media from home. There are two parts to the app – one that goes on your computer and scans your hard drives to find media, and a second that you download to your phone, which then streams the media from your computer via your regular cell service or WiFi. Libox also allows sharing media with friends, although that might put the company in hot water with copyright holders.

One downside: the app requires that your home computer be turned on with Libox running. That may not work for people whose laptops are their primary machine.

The company’s pedigree suggests that Libox will continue to innovate in future versions: The company’s founder is Erez Pilosof, who also founded Walla!, the Israeli equivalent to Yahoo and still an uber-popular Hebrew language site.

9. Touchoo

Buying your toddler an iPhone or iPod Touch is not as wacky an idea as it seems with Israeli startup Touchoo’s vision of creating interactive “touch” books for tykes. The company, which calls itself a publisher rather than a development house, has assembled a team of writers, illustrators, animators and programmers (all from Israel, for now) to create their touch books, and the company emphasizes that all book apps are made under the supervision of a developmental psychologist.

Featured first books include Benny the Cat and the touch-screen appropriate Thumbelina (based on the original classic from Hans Christian Andersen). Some of the books are available in multiple languages. Touching not only changes pages but triggers interactive fun (an animated character may jump out and sing).

Touchoo’s concept has already been proven … 20 years ago. When the first round of interactive multimedia products was being released on CD-ROM, one of the most popular genres was animated storybooks that both entertained and taught. Touchoo has simply updated a proven concept to the 21st century, where a click of the mouse has been replaced by a tap of a finger.

10. Appsfire

Appsfire is an app that lets you find other apps. Sure, you can always go searching in the Apple App Store or visit an app review site. But Appsfire uses the power of the crowd to recommend the best apps. As an Israeli company, its roster of “VIP” experts making recommendations is mostly culled from the Israeli tech scene; that will change as the app gains traction around the world. And there are plenty of “regular” users adding their favorite apps.

There’s also a separate iPad version called Appstream that, as its name suggests, has a moving stream of apps. You can tap on an app to preview it, and tap again to share a recommendation with friends or to buy the app. You can filter by just iPad apps or by free apps.

Appsfire and Appstream, by the way, are both free. Appsfire takes a cut of sales from app developers via an affiliate model.

This post originally appeared in March 2011 on the Israel21c website.

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Something For Everyone at Israel’s Music Festivals

by Brian Blum on February 28, 2011

in Israel,Media

Despite this past summer’s flurry of over-hyped overseas cancellations, Israel’s music scene is thriving. Indeed, one need look no further than the extensive roster of festivals that paper the creative landscape – from the kabalistic city of Safed in the north, to the hedonistic beach town of Eilat in the south – to find a festival lurking in every corner. Whether you prefer jazz, rock, classical, choral, rap or klezmer, there’s surely an event tailored to your taste.

It wasn’t always this way. During the austerity years of the 1950s, festivals were hard to come by. One notable exception was the Ein Gev Festival which is still going strong, now in its 66th year. Held at Kibbutz Ein Gev on the eastern side of the Sea of Galilee during the intermediary days of Passover, it was originally conceived to bring culture to the “distant” northern region of the country.

In the festival’s early years, that included a wide variety of arts – from ballet and folklore to choral and orchestral works (including the Israel Philharmonic Orchestra which made the journey up from Tel Aviv).

More recently, the Ein Gev Festival has focused on presenting Hebrew music and choirs. There are now more than 70 vocal performances including every one of the country’s 300 singing groups, some of whom have been together for decades. While that gives the festival less of a cutting edge feel than it had in earlier years, it is still quite popular with Israelis who enjoy following along with the nostalgic classics of the country’s pioneering days.

The festival scene took a major leap forward in 1961 with the launch of the Israel Festival, which to this day remains the country’s cultural anchor, bringing together dozens of performances from both local and overseas acts in a three-week period from May until June. While there is no shortage of international acts playing individually throughout the year, the Israel Festival hosts the greatest concentration by far.

World renowned musicians (among them Isaac Stern, Alexander Schneider, Maureen Forrester, and Leonard Rose) in Tel Aviv for the first Israel International Music Festival, 1961 (Photo: GPO)

Originally staged at the Roman amphitheater in Caesarea, since the 1980s it has been centered in Jerusalem. The range of performances is staggering. In 2010, for example, among the 50 acts one could see a Lithuanian version of Shakespeare’s A Midsummer Night’s Dream; dance performances by the local Vertigo troupe and Argentina’s Nuevo Tango; Itzhak Perlman conducting a program of young musicians; a theatrical version of a story by Nikolai Gogol; and nightly jazz at the Jerusalem Theater. There are also free musical street performances.

Israel Festival 1998 - "Hi five" band performs songs by Naomi Shemer at Jerusalem's Sultan's Pool (Photo: GPO/Amos Ben Gershom)

From fringe to folk on a muddy hill

The 1980s saw a further awakening of the festival scene, most notably with the Acre Fringe Theater Festival, which was modeled on the acclaimed Edinburgh Fringe Festival. The Acre version presents mostly local theater companies, but the backdrop is particularly compelling: the Crusader castle setting and archaeological sites of Acre’s Old City.

Festival artistic director Avi Gibson Bar-El is delighted with the venue, which draws its power, he says, from “the gentleness of the sea, the power of the ancient walls, the smell of fish and lavender in a virtuoso juggling act between languages, cultures, and religions.”

Scene from a play at the Acre Fringe Theater Festival, 1900 (Photo: GPO/Alpert Nathan)

The festival was nearly shut down a few years ago due to riots between the Jewish and Arab populations in this mixed town, but has bounced back and now draws some 200,000 visitors a year. It is seen as a sort of staging ground for promising playwrights, producers and actors.

While the Israel Festival and the Acre Fringe Theater Festival feature music prominently in their programs, there is no shortage of exclusively musical events. One of the earliest and most enduring is the Jacob’s Ladder Folk Music Festival.

Founded by UK immigrants Yehudit and Menahem Vinegrad on a muddy kibbutz hill in 1978, the festival has grown to become an internationally recognized program that attracts talent from around the world and close to 5,000 Israeli folk music fans. It is held twice a year at the Kibbutz Nof Ginosar.

Fans of Jacob’s Ladder compare the festival favorably with similar events in Europe and the US. Indeed, the relatively small size of Jacob’s Ladder gives it a homier feel that is perhaps more fitting for small Israel. The festival has branched out beyond its folk and country roots; in recent years rock, blues and a smattering of World music (such as the Balkan-gypsy-Russian band Yolki Polki) fill out the three-day line-up.

Jacob’s Ladder takes place just north of Tiberias, on the opposite bank of the Sea of Galilee from the Ein Gev Festival. A bit further north you come to Safed, renowned both for its mystical Old City – the birthplace of much of today’s trendy kabala – and a funky artist’s quarter. Both are the unlikely setting for a festival featuring European Jewish “soul music,” or klezmer.

The Safed Klezmer Festival was launched in 1988 and now features more than 100 performances, which fill every nook and cranny of the city as well as the local Red Mosque. Local artists set up their wares on craft tables and there are salutes to non-klezmer musicians such as the late singing Rabbi Shlomo Carlebach.

Band performing at the Klezmer Festival in Safed, 2003 (Photo: GPO/Avi Ohayon)

The festival attracts upward of 15,000 visitors a year. Indeed, tallying up the demand for accommodations at the Ein Gev, Jacob’s Ladder and Klezmer Festivals, the upper Galilee region has experienced quite a boon.

At the opposite end of the country, the Red Sea Jazz Festival may be the best known overseas of Israel’s music extravaganzas. Taking place in Eilat (in and of itself an international destination, tucked between Egypt, Jordan and Saudi Arabia), this festival is a major draw for international talent.

Singer Ahinoam Nini performing at the Tel Aviv Jazz Festival, 1990 (Photo: GPO/Alpert Nathan)

Held over four days with nine concerts a night, six “clinics” and nightly jam sessions, plus an outdoor stage facing 4,000 seats, it’s no wonder that the festival has been graced by the likes of Chick Corea, the Mingus Big Band, Tower of Power, The Manhattan Transfer, Ricki Lee Jones, and Spyro Gyra since its inception in 1987.

 

Meanwhile, classical music fans can claim their share of the music on Israel’s burgeoning festival scene. The premiere event is the Abu Ghosh Vocal Music Festival, which takes place in the Israeli Arab village of the same name, just a10-minute drive from Jerusalem.

The festival is actually one of Israel’s veterans, inaugurated in 1957, but it was discontinued in 1971, to be re-launched in 1992. Music from Schubert to Bach, Mozart to Brahms, with a special “baroque hit parade” thrown in for good measure, is played in and around the Kiryat Yearim Church, with street performances popping up in the alleys, groves and grottos of the village.

- YouTube: The Moran Singers Ensemble, Abu Ghosh 2007
- YouTube: Opera at the Abu Ghosh festival

For hungry visitors, Abu Ghosh is also known for its outstanding hummus and knafe (an Arab dessert made with cheese and pistachio nuts), and the local restaurants do a brisk business during the weekend-long festival.

During the past 10 years, the festival landscape in Israel has taken a turn toward the new age. The biggest of the new age festivals is Boombamela. Launched in 1999, it is held during the intermediary days of Passover, and upwards of 40,000 people congregate on the Nitzanim beach between Ashdod and Ashkelon to go with the flow.

The festival grounds are divided into small “villages,” with a holistic area, which includes workshops in various forms of artistic expression, meditation and lots of yoga; a “green revolution” village, which – in full new age garb – describes itself as an “alternative universe that runs parallel to this one…waiting for you to switch sides” (it also features more plebian concerns such as a recycling center); a face and body painting area; and in recent years, a prayer quarter, for those who want to more fully observe the Sabbath.

The new age Boombamela festival at Nitzanim beach attracts more than 40,000 people

And then there’s the music, of course: Nightly concerts on the water; two trance dance floors in the sand with live DJ’s; and even belly dancing. And oh yes, for those with a less-inhibited vibe, there’s a separate nudist beach.

Sagol is a more laid back new age festival, which focuses on “love and meditation.” Sagol is the Hebrew word for “purple” (“the color of the third eye, signifying the metaphysical world,” its organizers say), the Sagol Festival is held twice a year and attracts a turnout of around 5,000 for those “seeking spiritual essence and awareness.” The main musical program is on Friday night and starts with the Kabbalat Shabbat (liturgical prayers welcoming the Sabbath) service.

The Sagol Festival, first held in 1993, is actually part of a bigger endeavor – the Sagol Eco-Village, which trains participants in sustainable building practices with mud, organic gardening, and daily meditation. Volunteers also set up the festival itself, which wanders between its home base in the Negev desert and locations further north (the Hof Dor beach and Beit Shean in the Jordan Valley have both hosted Sagol in recent years).

Israel’s many festivals take place primarily on weekends and during the Jewish holidays. One could argue that these art and music festivals serve as a counter-balance for non-observant Israelis to the more traditional rituals practiced by religious Jews, making them a sort of alternative spiritual nourishment.

In Jerusalem, however, festivals are not held on the weekends. That hasn’t led to a shortage of music, however. The capital’s leading event is the annual Hutzot HaYotzer festival, for more than 30 years the country’s largest arts and crafts extravaganza. Every evening at 9:00 pm Israeli superstars take to the stage in the historic Sultan’s Pool with the Old City walls looming above.

A live theater performance at the Jerusalem International Arts and Crafts Fair

In recent years, Hutzot HaYotzer’s musical line-up has included bad boy Aviv Gefen; indie rockers The Church of Reason; master of modern Israeli love ballads Ivri Lieder; outrageous rappers HaDag Nahash; and Mediterranean crooner Arkadi Duchin. And at NIS 40 (just over $10) a ticket, including both concert and entrance, it is undoubtedly Israel’s best festival deal.

The list of Israeli music festivals goes on. There’s ethnic, with the annual Oud festival dedicated to the Turkish instrument that looks a bit like a pear-shaped guitar. If you prefer something more dramatic, there’s the sunrise rock concert atop Masada at the Tamar Festival. Another festival devoted to a specific instrument is the Guitar Festival of the Desert, and for nostalgic Anglos there’s the annual Woodstock Revival.

Exclusively Jewish music is on hand at RockAmi, while energetic small label rock can be found at the In-D-Negev program. A tribute to music from Spain, Portugal and Belgium can be heard at the Dona Gracia Festival, while bible lovers will groove to the sounds of Ehud Banai and Dudu Fisher at the Bible and Love Festival.

Want to be sure to catch them all? Here’s a list of the top festivals in the country according to dates, along with links to their websites:

April (Passover)

May/June

July

August

September/October (Sukkot)

November

This article originally appeared in January on the Ministry of Foreign Affairs website.
A related article on the Top 10 Music Festivals in Israel is on the This Normal Life website.

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A poster for the interactive movie "Turbulence"

“All filmmaking is based on a lie,” says Israeli Professor Nitzan Ben-Shaul. “In the narrative structure of a movie, it appears that there is only one possible ending – that the way it’s presented is the way it has to be. But in life there are always options.”

To demonstrate his argument, Ben-Shaul of the Film and Television Department at Tel Aviv University has created the world’s first, fully interactive feature film where the viewer gets to decide at various points, in real time, how the action will progress. “It’s nothing short of revolutionary,” he says. “It has the possibility of turning every one of us into potential film directors.”

Ben-Shaul is not a technologist – he teaches classes in cinema studies at Tel Aviv University and has written several books including Mythical Expressions of Siege in Israeli Films and Hyper-Narrative Interactive Cinema: Problems and Solution. So to create his interactive movie, he partnered with Guy Avneyon who built a sophisticated patent-pending movie editor and standalone player.

The technology is still under construction, as is the company. Turbulence (also the name of Ben-Shaul’s interactive film) is just now being incorporated and seeking angel investment. For Ben-Shaul, that’s less important. His focus is the process of thinking through the making of an interactive movie.

Ben-Shaul points to the Gwyneth Paltrow hit Sliding Doors which presented two alternative paths that intersected, diverged and eventually arrived at a single conclusion.

Turbulence the film is similar, except that the viewer controls the points of departure. The 83-minute suspense/thriller is about three friends who meet by chance in New York 20 years after they participated in a demonstration in Israel and were arrested. At the time, the police pitted the three against each other, which led to accusations of betrayal. There is also a love story that is rekindled.

The interaction takes the form of “hot spots” that glow when the viewer can make a choice. At one point, for example, one of the Israelis has written a message to his lover on his cell phone. The viewer can click “Send” or “Cancel”. If the viewer hesitates too long, the action continues according to a pre-determined narrative path.

Unlike previous interactive attempts, the transitions in Turbulence are seamless, which means there is no point where the movie stops and a flashing button appears with big icons to click. Once a choice is made, the film immediately cuts to a new scene. “That’s the language of movies,” Ben-Shaul explains. “There could be 4,000 cuts in a film, but if you cut on motion, people don’t see the transition, they just see the flow.”

While viewers make choices throughout the viewing experience, the film regularly returns to the main narrative. This means the writers don’t have to create 10 entirely different scripts (although in Turbulence there are several alternate endings).

Ben-Shaul is adamant that interactivity is not a gimmick – like the first attempts at 3D in the 1950s and 1960s. But he warns that interactive films must be carefully planned to avoid the errors of more primitive experiments in the past.

These mistakes include what he refers to as the ‘computerization trap’. “Computers can generate endless possibilities, but that doesn’t help the viewer in terms of drama. It interests computers, but not humans!” he says. Good interactive drama, he adds, is actually about “option restriction”.

Interactive movie producers should also not try to emulate the gaming world, he cautions. “It’s not about scoring and puzzle-solving,” Ben-Shaul says. “It’s about creating real, life-like situations.”

Turbulence can currently be viewed on either a Mac or PC. But Ben-Shaul is most excited about the red-hot Apple iPad. With its touch screen and media consumption emphasis, “it’s the perfect device. The iPad is a main target,” Ben-Shaul says.

Behind the scenes at Turbulence

The technological secret behind the film comprises an editor that will be familiar to anyone who’s ever created a movie, with a timeline, audio control, and multiple tracks. There are various additions such as a library of clips and hot spots that can be easily inserted.

The aim is to sell a standalone version as well as plug-ins for professional editing systems such as Final Cut Pro, Adobe Premiere and Avid. Ben-Shaul and his team are also developing a scriptwriting tool that will ease the creation of a hyper-narrative.

Both grassroots and professional filmmakers should be empowered. “We’re not aiming toward automatic storytelling,” he says. “That’s like robots today, which are so far off from what humans can do.”

Turbulence isn’t the only software company making interactive movies. Israeli alternative rock sensation Yoni Bloch owns a company called Interlude, which is moving in the same direction. Earlier this year, Interlude produced a music video by pop singer Andy Grammar that includes seamless interactivity. YouTube also has its own very simple interactive functionality.

Ben-Shaul acknowledges the competition but says his system is further along, not to mention patented. Turbulence also gives viewers the ability to actually move an object on screen (for example, to slide a letter out of a drawer) rather than just click or touch a point on the screen.

The idea for Turbulence was hatched in response to one of Ben-Shaul’s courses about the “siege mentality in Israeli cinema.” The professor explains: “Israeli movies are very close-minded. It comes from the society and the political situation; from war and ethnic tensions. Interactivity and giving people options is the opposite.”

Interactive movies are primarily intended for an audience of one. But Ben-Shaul says it’s possible for an entire audience to get in on the fun. Turbulence was premiered at the Berkeley Film Festival this year where it won the prize for “best experimental feature.”

In a demonstration of the interactivity at the showing, Ben-Shaul’s wife (who also works at the company) canvassed the audience at each decision point. Ben-Shaul then clicked the viewer’s choice from his computer backstage.

In the future, Ben-Shaul would like to build a system where everyone in the audience has a controller, allowing the movie to move in the direction dictated by a majority vote. In the meantime, Ben-Shaul says the showing at Berkeley was “very successful. People loved it.”

Ben-Shaul hopes to show Turbulence in Israel, perhaps at one of the country’s Cinematheques, though nothing has been finalized yet. For now, interactive movie fans will have to visit Ben-Shaul in his office at Tel Aviv University or watch a TV news clip and interview with Ben-Shaul on Israel’s Channel 10 which provides a hint of the richness of interactive moviemaking.

Beyond entertainment, interactive video might even help to solve the Israeli-Palestinian conflict, Ben-Shaul suggests. Interactivity, he says, “develops thinking for people who are in what seems like an intractable conflict. It can be a real therapeutic tool.”

This article originally appeared on Israel21c.

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Amnon Dekel

I always enjoy Jeff Pulver’s networking “breakfasts” which he holds around the world. Pulver, a VoiP superstar and lately startup angel with a passion for Israel, usually hosts his breakfast shindigs in Tel Aviv, but last week he came to Jerusalem.

I approach a networking event like a Kiddush at shul. You want to flit around as much as possible (while not being too rude with quick getaways) but if you find yourself talking to someone particularly interesting, you stay put.

That was the case when I met up with Amnon Dekel. Dekel is an old friend (he used to run the Digital Media Studies program at the IDC in Herzeliya and hired me to teach a course) and he’s about to turn in his doctoral dissertation to Hebrew University. The topic: “indoor navigation.”

Dekel has identified a problem you probably never thought about, but that’s a potential “next big thing.” Mobile phones are great at using GPS to find their position outside. But they don’t work so well under a roof of, say, a library.

Dekel’s research specifies a methodology for locating objects such as books, and it doesn’t require transmitters to be installed all over the ceiling of the space. The idea is that you’d type in the title or author into your phone, and you’d receive a map telling you exactly which floor, section and even shelf you should head to.

Dekel has built a working prototype in the Harman Library on the Givat Ram campus of Hebrew University. His tests show that, using the system, it takes only half the time to find a book and people make less navigation mistakes and need less help from others to find the book.

The same technology could be used in warehouses, bookstores and manufacturing plants, Dekel says.

That’s not to say that it’s easy – staff at the physical site need to input data, items may need to be scanned – but it’s a fascinating start.

The system has yet to be commercialized (venture capitalists – take note). But, who knows (and Dekel will scold me for writing this), you could eventually crown yourself mayor of the Dewey decimal system!

This article appeared last year on the Israelity blog.

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A New Patch Promises to Knock Out Acne

by Brian Blum on November 17, 2010

in Products,Research

Teenagers suffering from acne will try anything to make the redness and infection go away, but current treatments have mixed results and numerous applications are usually necessary.

Now, Oplon, a three-year-old medical materials company in Rehovot in central Israel has come up with a unique “patch” that radiates an “energy field” that can knock out acne for good.

Beyond acne, Oplon, has high hopes for its technology which can also keep milk from spoiling, wipe out bacteria inside juice boxes, and even reduce the number of infections associated with hospital catheters.

Oplon works its magic by manufacturing polymers – a type of plastic – that have a very specific function: They disable microorganisms such as bacteria, fungi and viruses. The polymers create an energy field “that can kill every microbe ever heard of,” says Omer Gonen, Oplon’s CFO. The energy field is safe: “It doesn’t radiate, it doesn’t heat and it doesn’t chill.”

Rather, it’s a chemical adaptation of a mechanism that has long existed in nature to help animals and plants defend against similar attackers. Indeed, these energy fields are “all around us,” Gonen says. “They’re in the air, in the room, and it’s much more energy than we create with a polymer.”

Oplon’s acne treatment consists of a patch with the polymers inside which the acne sufferer applies overnight. Within six hours, the redness, pus and pain associated with the acne will be significantly reduced, Gonen says. “After 24 hours, the spot will be practically fully healed.” Best of all, “In most cases, it’s a one-time treatment,” he adds.

However, parents shouldn’t be too quick to rejoice, Gonen quips, “We don’t solve all the teenagers’ problems. Just the acne.” The acne patch, considered a ‘medical device’ and not a drug, will be on Israeli pharmacy shelves early next year, sold over-the-counter, with no need for a prescription.

Marketing to the US and Europe will come only after the patch has been thoroughly tested in Israel. In that sense, the country will be a sort of national guinea pig. “Israel is a controlled environment. We’re a relatively small country,” Gonen explains. “After a year or so, we’ll have a better sense of customers’ reactions.”

The price has yet to be determined, but Gonen is confident that it “won’t be a big barrier.” And if Oplon can break in, there’s a very large piece of pie waiting to be gobbled up – the market for acne solutions is estimated at $60 billion, he says.

A cure for acne is just the start. The same material in the polymer patch can be applied to the inside of milk and juice cartons to zap bacteria. That would represent a sea change for food manufacturers who today have two main options for keeping their products fresh. They can add preservatives or ‘hot fill’ the carton with a beverage heated to 70 degrees Celsius.

Both of those solutions have serious downsides. Preservatives may lead to health problems while hot filling destroys much of the nutritional benefit. Both affect taste. Hot filling also requires thicker plastic to hold the liquid while it’s cooling, which costs manufacturers more and causes additional damage to the environment.

Conceivably, a milk carton with Oplon’s polymers wouldn’t even have to be refrigerated after opening, Gonen suggests.

While the acne patch is essentially a stand-alone product, advancing fairly quickly, Oplon’s progress with the beverage-makers is somewhat slower. While it offers them many benefits, it also requires serious buy-in. Manufacturers would have to purchase new carton material, since you can’t just ‘spray’ the microbe-eating polymers on existing cardboard boxes. Nevertheless, Gonen is optimistic that Oplon can “correctly engineer the prototypes to fit a production line of a major company.”

A third application in the Oplon pipeline involves urinary catheters which, Gonen claims, are responsible for a full 50 percent of hospital-acquired infections (affecting some 90,000 Americans a year), resulting in more days away from home, greater expense, extra antibiotics and, of course, increased discomfort for the patient.

Gonen says that Oplon’s material can even kill “super bugs” – those microbes resistant to all current antibiotics – like MRSA (Methicillin-resistant Staphylococcus aureus) and VRE (Vancomycin-resistant enterococcus). Oplon is just beginning clinical studies with catheters, so we’ll have to wait a little longer for that application.

As is often the case, Oplon’s polymer product line was discovered entirely by accident. The company was founded by a number of scientists – both chemists and physicists (key among them was Uriel Halavee who founded printed circuit board maker Opal which was sold in 1996 to Applied Materials). The scientists were working on an intra-cellular drug delivery system but the experiment went wrong.

“If it was me, I would have thrown it all in the garbage can,” Gonen smiles. But the scientists reviewed their formulas and realized they were on to something even bigger. “It really was a mistake,” Gonen says modestly. “Like the discovery of penicillin.”

Oplon is headed by Avi Shani, a 42-year-old father of five who’s a physician by training. The company has 15 staff members and is looking to triple in size in the coming year. While Gonen wouldn’t reveal the source of the funds for that growth, he allowed that Oplon is “in contact with some huge potential partners.” The company previously raised $5 million from Wanaka Capital Partners in 2008.

Oplon’s products represent a “huge platform that will enable us to continue developing products for many years to come. Each product has a market in the billions,” Gonen concludes.

We’ll have to wait and see whether Oplon achieves all of its ambitious goals, but in the meantime the teenagers can break out the bubbly – acne relief is on its way.

This article appeared originally on the Israel21 website.

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Does radiation from cell phones cause cancer? The jury is still out, with a recently released 10-year study organized by the World Health Organization saying no, and advocacy groups arguing that the research methodology was flawed.

Cell La Vie - peel on protection for your iPhone

Regardless of the controversy, a small Israeli startup isn’t taking any chances. In July, Wise Environment began selling a do-it-yourself kit to protect iPhone owners from radiation. The company claims that its product, dubbed Cell La Vie, reduces electromagnetic exposure from the phone by 98 percent.

The Wise Environment founders are on a mission. “Parents are driving their young kids to use cell phones, to keep in contact,” explains Ronny Gorlicki, Wise Environment’s vice president of business development. “But at the same time, they want to protect them from future problems,” even if it’s not certain that those problems really exist.

At only NIS 179 ($47), Gorlicki feels his product is a worthwhile investment “to defuse the question of what will happen 30 years down the road.”

Cell La Vie can be a bit daunting to install – it’s not a one-click software app, but a physical product – a thin film you apply to the front, back and sides of your iPhone with adhesive. The Cell La Vie kit also includes a spray and pump to make sure your phone is totally clean before you get started. “People are reticent in the beginning, fearful that they’ll screw things up,” Gorlicki says. “But it’s no problem to take it off and do it again. We’ll even send a replacement if necessary.”

Once affixed, the film acts to redirect radiation away from the body. “Inside the phone is an antenna,” Gorlicki explains. “The signal goes in all directions. We had to figure out how we can cover up the points where the radiation would penetrate the phone in the direction of the body while maintaining the quality of the transmission.”

Wise has so far focused only on the iPhone because of the extensive media buzz surrounding the device. “Even people who haven’t bought it are talking about it,” Gorlicki says, noting the “huge awareness in the market of ‘green’ in general and phone radiation in particular. We hear from people ‘I’d held back from buying an iPhone from concern about radiation. Now I just made the order because of your product.’ ”

Since every phone has its antenna in a different place, Wise will have to develop separate films for every type of phone – and for every version. For example, Cell La Vie doesn’t yet work with the iPhone 4, which has an entirely different type of antenna (one that has caused users no end of frustration due to inadvertently dropped calls).

Cell La Vie's Ronny Gorlicki

Wise is also focusing initially on smart phones. “They’re the ones with the higher price tag,” Gorlicki explains, “So people are more ready to invest in safeguarding themselves from radiation.” Smart phones, ironically, can increase their radiation levels as they detect signal strength. The lower the strength, the more the phone has to work to maintain a minimum quality of service, and as a result the radiation increases.

Wise Environment has other radiation-protection products in the pipeline (including one that may actually reduce radiation, not just guard against it) but is progressing slowly. That’s in no small part because the company is entirely bootstrapped; it’s relying now on sales from its iPhone product, which is available in Israel at iDigital’s Apple Stores and the stationary chain Kravitz, to finance future production. Gorlicki is optimistic and says sales are going well, pointing out that “There have already been reorders.”

However, given the company’s scarce cash situation, sales beyond Israel will have to rely on distributors. Gorlicki doesn’t anticipate opening a US or European office in the near future. And even if the patent pending Cell La Vie is as successful as anticipated, Gorlicki says that raising venture capital money will be tough.

He likens the Cell La Vie product to a mezuzah: “You don’t know if it has prevented some hardships or brought good things to you,” he quips. “There’s no immediate gratification in that sense.” He says that the problem is with the VCs, who want to see immediate results.

This is not Gorlicki’s first outing with a product that doesn’t deliver satisfaction on first use. In a previous position at Wizcom, he was in charge of marketing the ‘Quicktionary’ – a digital pen that you run over printed text to translate it into multiple languages. “There was a real learning curve,” Gorlicki recounts, “You had to hold the pen correctly, to start and end it in the right place.”

Cell La Vie is not alone in the market; one of its better-funded competitors is Pong Research, which has been reviewed widely, including in Wired Magazine and The New York Times. But Pong, by its own estimates, only reduces radiation by 60 percent and only from the front of the phone, Gorlicki points out. Both Pong and Wise have had their results verified, in Cell La Vie’s case at MET Labs, a California testing and certification company.

Gorlicki is proud that his product is entirely made in Israel and hopes that even as production ramps up in the future, the company will be able to resist the pressure to export manufacturing to China or another less-expensive location.

He says he would be delighted to cooperate with Tawkon, a company whose product indicates to smart phone users when their radiation levels are too high. They would be a good match because Tawkon detects the radiation and prompts users to take simple actions like “put the phone on speaker,” while Cell La Vie actually does something about the radiation emanating from the unit itself.

Regarding the WHO study, Gorlicki draws attention to the fact that the research was in part funded by the phone companies themselves. The study followed thousands of phone users in 13 countries to see whether people who had brain tumors reported spending more time on cell phones during the previous decade than other people did. The researchers reported that they couldn’t find any cancer correlation with cell phone use.

The study’s main purpose, Gorlicki claims, was to give federal agencies a benchmark of when radiation levels are too high. If the companies stay within those levels, they’re considered ‘kosher.’ But, he says, “we really don’t know how much and how long it would take for someone to reach proportions so high that he or she will get cancer.” Researchers are now considering a new, even longer study of up to 20 years.

Not to mention that cell phone usage has increased dramatically and phones have advanced technologically in the 10 years since the study was started. What might have been considered ‘average’ use in 2000 would pale in comparison with teenage cell phone use in 2010.

Perhaps the ideal scenario for Cell La Vie would be cooperation with, or acquisition by a cell phone manufacturer or operator. But Gorlicki isn’t optimistic: “They don’t want to have anything to do with it,’ he says, explaining that involvement could be construed as an admission that cell phone use might not be 100% safe.

Even with Cell La Vie’s protective film in place, cell phones still pose a danger – to your neighbor. Gorlicki compares phone radiation to secondhand smoke. “You could be getting secondhand radiation from the guy sitting next to you in a restaurant talking on his cell phone,” he warns. Will there eventually be cell phone-free environments, he wonders.

Beyond being potentially dangerous to bystanders, Gorlicki reminds us that cell phone use requires “good hygiene.” Even if you’re using a corded headset, you don’t want to stuff your phone in your pocket while you talk. The phone still emits the same amount of radiation. Holding it away from your body or placing it on a table is the safest bet.

Gorlicki is doing his best to live in his own ‘wise’ environment – the company’s headquarters are in his home just off of the HaBonim beach south of Haifa, in northern Israel. “I wake up and take the dogs on a walk near the shore,” he says. “What a way to start the day when you’re working for an environmentally conscious company.”

This article appeared last week on Israel21c, a great site for exploring Israel “beyond the conflict.” Check it out!

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From ‘Facebook-like’ buttons to embedded YouTube videos and interactive chat, it’s rare to find a website these days that doesn’t beckon you to share your thoughts with everyone you’re connected to.

But for website owners, adding all that social interaction takes time and, if you’re not a programmer, copying and pasting esoteric HTML and JavaScript code into your site’s header or widget boxes can be a technically daunting task.

Wibiya from Israel is a hot start-up that aims to streamline the process. The company, which raised $2 million a few months back from Primera Capital and counts as one of its seed investors the ubiquitous Israeli angel and Internet guru Yossi Vardi, has built a popular toolbar that consolidates dozens of social media functions into a single space-saving strip at the bottom of your website. Wibiya’s aim is to make adding new apps and functionality as easy as a one-click install.

Among the useful Web functions that Wibiya incorporates are the ability to instantly “like” a company’s fan page on Facebook and write on its Wall without leaving the website you’re looking at; see how many other people are online and looking at the same page you are; translate the site into one of more than 40 languages; and chat with your social media friends directly from within the Wibiya bar.

Taking a cue from Apple, Wibiya has created its own app ecosystem, allowing third party developers to add their Web products to the toolbar at no cost. This has led to an eclectic range of functionality built by enthusiastic supporters that Wibiya co-founder and CEO Dror Cedar never expected.

For example, there’s an app that allows website owners to pop-up targeted messages filtered to the specific person visiting. This could be based on the page a visitor is currently viewing (say, a message about the Middle East peace process) or could kick in only after a user has been on at least five pages of the site.

Another popular app automatically turns all links on a website into “affiliate ads.” If a visitor to the site buys a product via that link, the website publisher keeps 70 percent of the revenue. Amazon is one of 25,000 merchants included in the program.

Want to raise money? Wibiya has apps for that, too. One puts a link on the toolbar to your organization’s Causes page on Facebook; another allows visitors to use PayPal to make donations a snap.

Wibiya is on the verge of releasing a developer website with an open API (Application Programming Interface) to make it even easier for developers to build Wibiya-compatible apps, Cedar says.

For publishers, Wibiya provides detailed analytics showing, for example, how many clicks the toolbar is receiving or how many Twitter updates have been tweeted via the Wibiya service. The toolbar itself is tiny – only 17K. And it plays nicely with all the leading blogging platforms, including WordPress, Blogger and Ning.

Since the toolbar is free to both third party developers and publishers, how does Wibiya intend to make money? “We work with high end publishers including Philly.com, Playboy and even the (confectionery vendor) Jellybelly.com on either a revenue-share model or one that’s based on performance,” Cedar explains. “We deal with them directly to build a tailor-made solution.”

For everyone else – the so-called “long tail” of web publishers, as Cedar describes them – Wibiya will soon introduce premium paid packages with “for example, the ability to integrate your own advertisements into the toolbar.”

Cedar didn’t start out with the intention to build Wibiya. He and his co-founders Daniel Tal and Avi Smila were working on a travel-related product called Joongle. “If you wanted to search for a flight from Tel Aviv to New York, our toolbar would give you the top 10 websites, like Kayak and Priceline, with flights to that country,” Cedar says. “Then each time you clicked, it would do the search for you.”

But when the team showed the product, potential clients kept saying “wouldn’t it be great to have another button that would show my most recent posts, or one that displays photos,” Cedar recounts. Realizing that there was an even bigger market beyond travel, the company quickly switched gears. “After the 10th time, we said okay. The demand came from the publishers themselves. People really wanted it.”

One concern we had was whether creating yet another way to share information across the Web would cause alarm, much in the way that Facebook has taken a drumming recently for its fungible privacy policies. Moreover, will users be paranoid that Wibiya may follow them around, tracking what they’re doing on the Web?

Cedar assures us that Wibiya is just “an enabler. We don’t do anything automatically and we don’t save your information. We’re completely transparent.” Still, Wibiya may have to be more proactive in spelling things out to put visitors at their ease.

As for the name Wibiya, it’s a play on words – a “wib” is a widget bar. “We didn’t like ‘widget,’ ” Cedar says.”That implies a static component.”

Indeed, with Wibiya’s functionality, financing and future prospects, the company is anything but static.

This article originally appeared on the Israel21c website.

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Getting Away from Technology

by Brian Blum on September 6, 2010

in Interactive,Media,Research

A student on a class trip to Poland

I wrote in an earlier post about how human beings aren’t built to truly multitask – an action we increasingly rely on to parse all the data coming at us from the web or our mobile devices. New research is trying to figure out not only what happens psychologically when we try to do two things at once, but whether our brain neurology is being re-mapped by our incessant use of technology.

The preliminary answer seems to be yes, and it’s not necessarily good news. New York Times technology journalist Matt Richtel participated earlier this year and is now writing about a unique week-long backpacking trip undertaken by a group of scientists where gadgets were banned and their itinerary took them far out of the range of cell phones.

Would these highly connected researchers act – no, think – differently in such a situation, he asks?

The scientists were split, according to Richtel in an interview with Terry Gross on NPR’s Fresh Air interview program, with some feeling that “the constant stream of data was making it increasingly difficult to focus and concentrate” and others saying “the benefits of having constant access to information far outweighed any consequences.”

But all of the scientists noticed that they began to feel more relaxed and more engaged in the world. They slept a little better; waited a bit longer before answering a question. “You don’t feel in (such) a rush to do anything, your sense of urgency fades,” Richtel says.

But only after three days – that was the amount of time for the disconnect effect to kick in. This might explain why we feel more relaxed after a three-day weekend as opposed to a “normal” two-day break from work.

Why is this the case? A laboratory study had rats learning new tasks. When the rats were given time away from the task to process it, the action moved into memory and real long-term learning took place. Without that down time, the rats were more prone to forget what they’d just done.

We can extrapolate that, Richtel says, to our contemporary lives, where we rarely give ourselves a break. If we’re waiting for an appointment and the person we’re meeting is late, what do we do? We pull out our smart phone and check email, text, browse the Internet or play a game. Even people without smart phones may listen to music on an iPod.

What we need to do, Richtel claims, is simply “be,” to not fill every moment with something electronic, to let the learning consolidate in our brains.

Richtel is certainly not advocating a ban on technology. He is adamant that our use of the web and mobile devices has made us more productive – he uses the example of using a Google map to find an address than having to call the person and write down directions  – and he readily admits he couldn’t survive the 21st century without his addictions.

And addiction it is. Why do you feel compelled to check email constantly, for example? Because you never know when there will be something exciting coming in. Each new message gives the brain a squirt of dopamine. If you had advance warning that interesting messages would only be delivered at 4:00 PM, you’d be less inclined to alt-tab to Gmail throughout the day.

Indeed, The New York Times reports that the average computer user checks 40 websites a day and can switch programs 36 times an hour!

Technology is like food, he posits. You need to eat and there’s no reason not to appreciate tasty (and hopefully nutritious) meals. But “we know that some food is Twinkies and some food is Brussels sprouts,” Richtel quips. And we’re well aware that you can also over-eat which has obvious negative consequences.

What about our teenagers who are growing up on ubiquitous screens, frantically checking Facebook, email, tweets, chat and Skype wherever they are? Will their brains look different than those of us who had to go into the living room to get access to a screen (the television)?

The research is pointing to yes. Our brains are elastic, Richtel explains. It’s not as if our ways of processing information is fixed at birth and never changes. Each new technology modifies the neural pathways, in particular the frontal lobe which is the last to develop. How it does that is the subject of upcoming research which Richtel will be writing about later this year.

While our 17-year-old daughter Merav was away on a school trip to Poland this summer, she made a point of not checking in online. Merav’s experience in Poland, visiting lost Jewish communities and crying at the concentration camps, was intense – “difficult but meaningful” is how she described it upon her return home. Was her level of engagement different than her peers, many of whom were texting away at the dinner table?

It would be presumptuous for me to make such a claim. But it’s undeniable that our use of technology profoundly affects us. I, for one, am looking forward to the Jewish holidays this year – Rosh Hashana and Shabbat coincide in such a way that those who observe the High Holy Days according to a more strict interpretation of Jewish law will have a full three days of enforced technology deprivation.

I wonder how I’ll feel on the other side?

Matt Richtel received the Pulitzer Prize in 2010 for a series in The New York Times on driving while multitasking.

A shorter version of this article appeared on Israelity.

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The Wedding Will Be Webcast

August 19, 2010

A couple of weeks ago, we attended the wedding of good friends, Sammie and Isaac. The wedding was a blast with all the usual features of Israeli nuptials: chuppah, dancing, speeches and those greasy fried “cigars” stuffed with minced meat (of which I always partake too heartily). There was one element, though, that I’ve never [...]

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Software: Heal Thyself

August 10, 2010

If your computer gets sick, would you rather give it a full system overhaul or the equivalent of a digital Advil to relieve the symptoms? Onn Shehory and his team at Israel’s IBM Haifa research facility have developed much more than a computerized analgesic. Say hello to the world’s first self-healing software. The project – [...]

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